Fantasy Art

Fantasy Art
Please click the image above to Support me on Patreon.

Sunday, July 23, 2017

100 Paintings in 12 Months

As some of you might remember, a few years ago I pledged to do 1000 paintings in one year. It was an ambitious undertaking, perhaps a little too ambitious but then you never know until you try do you? Anyways I only did 530 paintings.

This year I'm making a different pledge, one that is both less ambitious and more.

I want to paint 100 paintings in the next 12 months from August to August.

Less ambitious because it is a much smaller number, but more ambitious because I counted my signs last time and that meant several hundred paintings were pretty much a given as that was my day job. They were also almost all acrylic paintings last time.
This time most of them will be oil paint which is a little harder and takes longer. And my style is more realistic than before which also takes longer.

I will include re-paints and finishing previously unfinished work as a new painting since I have a few of those.

None of these paintings have any certainty of selling. Signs, as with any commission, were guaranteed sales, but I don't have or want commissions right now. Instead right now I'm interested in experimentation with new materials, styles, colors, textures and subjects. There will be fantasy art, octopuses, nude figures, portraits, costumes, still lifes, landscapes, and wildlife art.
There's a bunch of crazy ideas that I want to try, but have no idea if they will work or if anyone would like them.

I intend to offer all of this work at a very low price. Many of them will be $50.00. There are several reasons for this, but the chief reason is that I'm hoping to be able to afford to do so because I will be sufficiently pre-funded by way of Patreon.

Patreon is a website where you can pledge to support an artist or project that you like on a monthly basis. You can, and I encourage you to, pledge as little as a dollar a month.

Unlike Kickstarter there is no time limit on Patreon. nor is there necessarily a product to offer at the end.

The reward that I want to offer is to sell my art at a very affordable price in the faith that I will get enough ongoing support to make it feasible to keep doing so.

In the beginning this will mean that I am all but giving my work away for free, but I'm offering my trust that it will come back to me in time.

If you would like to help me with this concept please visit

Whatever you decide, you have been supportive and encouraging to me and my work for years and you have my thanks now and always.

Thursday, July 13, 2017

Caravan Guard

Here's a quick gesture sketch of a caravan guard idly waiting for departure time.  There's hardly any danger in town, but he stands with habitual vigilance even at his most relaxed moments

After rotating the paper to the left a bit to get him standing upright I rework the sketch from memory and from anatomy books to get the musculature more correct.  There simply wasn't any time for this in the field, I'd have been treated with suspicion if I lingered too long staring at any one person.  In theory they couldn't arrest me and they might understand the harmlessness of an artist out sketching the scenery, but they could probably rough me up with legal impunity if I seemed like trouble so I don't risk it.

Looking ready for anything.  I could place this guy anywhere; at the top of a cliff, on the prow of a ship, receiving orders from the king in his palace.

Thursday, June 22, 2017


Just thought I'd share a couple portraits I drew on a recent trip to the east coast of Koth.
The jewelry they wear there is very elaborately embossed gold plate which once covered wooden statues, boxes and furniture most of which has long since rotted away leaving only the gold behind.  The people happily cut, bend and shape it to whatever purpose they wish.  The workmanship of people thousands of years forgotten endures in some form or another.  I take a strange comfort in that.

Tuesday, June 6, 2017

Hold that Snake!

Ned to self:

"Oh no I'm not afraid of snakes" he says...

"Don't you worry you pretty head, little lady" he says...

"I'll be right over to save you from your little snake problem" he says...

...Dammit Ned!

I love my baby like a bull dog loves his bone
Last night she got crazy, called me up on the phone
Said, "Come on over, daddy
'Cause I hates drinkin' alone"

Said, "I had me a little and I had to have a little more
Try to get up, could not get out the door
And there's a big ole snake
That's crawlin' right across the floor"

My baby's not afraid to take a chance
Drinkin' whiskey starts her thinkin' about romance
That's when she wants what I keep in my pants

I know she's got a few tricks up her sleeve
When she gets hot it's not hard to believe
So I told my baby
Just what Adam said to Eve

Hold that snake 'til I make it
Hold on 'til your daddy gets there
Just grab his head and shake it

Tell him be ain't goin' nowhere
Take it easy but take it
But don't let go of that snake
'Til I make it

Ry Cooder

Friday, June 2, 2017

Ned the Barbarian vs Midlife Crisis

Usually when people accuse me of posing for my own art it's a flattering accusation, but I decided to go right ahead and pose for this one and not flatter myself at all.  The flat bottom, sagging gut and balding head is all me.  I call it "Ned the Barbarian vs. The Midlife Crisis."  Surprisingly it's been one of my least popular drawings.  

Monday, May 29, 2017

Trick or Treat?

   I first saw them on Halloween night. Couldn't a picked a better time. Somewhere they'd gotten hold of a couple trick-or-treat bags and had also gotten hold of the idea a what to do with 'em. After all there was lots of weird critters walking up to people's doors and getting treats.
   There they were on my front porch, three sets of big brown eyes staring up at me and I weren't never a big kid. "Shicky Shee?" the tallest one said almost in a whisper, hooves tapping nervously on the floor like they was ready to run on the instant.
   They'd been doing pretty well so far, their bags were nearly full, and why not, they had the best "costumes" of the night.
   I scooped out two big double handfuls of candy from the bowl and their eyes got even wider. "Hey Now!" says I as they started to walk away. "Say thank you." They gave me a nervous quizzical look. "Thank You" I repeated. "shen koo" the tall one whispered, and off they ran. 

   They were back the next day. I heard the neighbor lady yelling at them "It's not Halloween, you kids get off my porch!" This had probably been happening a lot they looked more nervous than before, in fact they were down right jittery. 
   "Oh lowrd, did you guys eat All that candy already?!" I ran inside and loaded a platter of fruits and nuts and brought it out to the porch then sat down on the floor and invited them to eat. They set to voraciously and the jitters subsided. Pretty soon the smallest one was in my lap pulling on my hair. 
   They'd lost their trust of everyone else which is probably for the best but continued to come see me from time to time. Of course they knew how to feed themselves in the wild, it was the candy they were coming back for but I kept that to a minimum. Still they always said "shen koo."

Thursday, May 11, 2017

Grabapple Trees

Somewheres there's a kind of mantis bug what looks like a pertty flower and then grabs bees what comes near it. The Venus Fly Trap lures critters with a scent and then snaps shut on 'em like a miniature bear trap.
In round my hometown there was the Grabapple tree. At night they crawl about like a 'noctopus on their root-like legs and plant 'emselves in the yard of some home what never had an apple tree before. It took a right sucker to fall for that one, but then the world's full a suckers aint it?
Little Timmy Wilkinson disappeared one day after telling his mom he was gonna go pick apples on Henderson's Corner. The neighborhood got all up in a hurly-burly and even called the police who went door to door and looked sternly at any strangers an' suspicious looking individuals.
No one would listen to me when I told 'em there weren't no apple trees on Henderson's Corner. There wasn't neither I checked, but it'd already slithered down the bank into Bosky Creek where I'd seen it before. So I took a gas can and a book of matches down to the creek and standing up on the bank I sloshed gasoline on the grabapple and said "Let 'im go!"
I never knew if it understood me or if the gas made it sick, but either way it gives me a resentful look and spits up ol' Timmy like a hairball all covered in sticky goo. Folks said later he was "found in a tree" which is true enough I suppose. Timmy grew up fine, but couldn't never stand the thought of apples after that.

Thursday, May 4, 2017

Oh Deer!

I spent a goodly bit of my youth hiking in the woods and hills around Prescott where I grew up. Most times it was just peaceful if a bit lonesome. Some days you'd meet other folks or see some wildlife or other.
One day I heard flute music playing in the distance which was peculiar. I crept up to peek between the branches and see who was playing. And there she was, delicate as a flower, sitting alone in the tall grass naked as far as I could see.
I couldn't resist taking a step closer for a better look when a twig snapped beneath my boot.
Up she jumps on four hoofed feet an' bounds away among the pines. As I watched her hinde end bouncing among the boles I tell you I could not have been more shocked. You never see them this far south in the Spring.

Sunday, April 16, 2017

Happy Easter!

Whatever that looks like to you.
To me it looks like chocolate.

Here's a mural I once painted for a church.  My heathenism didn't trouble them at all so long as I could do the job.  It was based on photos of what some people believe to be "The Tomb".  It certainly is A tomb from the right time period so that makes it a good reference either way.

Some pen and ink work that I used for bookmarks.  I sold them very well at Comic Con to all the moms and sisters who had no interest in comics but were tagging along for the trip.

A few years ago I found myself in possession of a pile of scrap wood and some free time so I made some Easter yard art.  People said they were cute, but looking back I find them kind of creepy looking.  Which is a little funny considering all the other stuff I draw.

Thursday, April 13, 2017

Queen of the Apes

I was inspired by some other fantasy painting of a barbarian queen on a throne with henchmen all around her so I based this picture on that.  It's charcoal on Bristol board which was an interesting departure and not entirely a good idea.   I did it because I was losing confidence in the job I was doing with pen and ink.  I hadn't really done professional illustration in years especially not inking.  It was hard to keep the darks looking really dark because the charcoal wouldn't sink in to the surface.  I think I also used some white paint to pull up the highlights in the end.  Ultimately I wish I'd just used some of my wooden panes and painted the whole project in black and white paint since I'm comfortable with paint and not with pen and ink.

Thursday, April 6, 2017

7th Sea Pirate Roleplaying Game Illustrations 4

The idea of silhouettes layered over each other to create a sense of visual depth was something Burne Hogarth wrote about in his book "Dynamic Light and Shade".  He used this principle extensively in his work on the Tarzan newspaper comic strip which of course was printed very small in stark black and white.  I used the idea much less effectively by using gray tones because I assumed the work would be printed larger and therefore more easily visible.  I may go back and re-work a lot of these to make them stronger. even thought they may not be used again.

The figure was posed by me and the costume was a hodgepodge of movie stills and Gilbert and Sullivan stage photos.

Order the Book here

Wednesday, April 5, 2017

The Monkey always Gets the Girl

From the Mongoni Island book.
There's a scene where a pirate is abducted by apes.  In the game it could be any member of the party male or female, but I couldn't resist the temptation to make her female since the image of a monster carrying a girl is such a classic trope of old science fiction and fantasy illustration.  We've seen it in King Kong, Robbie the Robot, the Creature from the Black Lagoon and many other classics.  Possibly a little sexist of me to perpetuate that, but I just love that kind of thing.

Tuesday, April 4, 2017

The Arizona Grass Dragon

   The Arizona Grass Dragon is similar to the Prairie Dragon only the legs are a little bigger. Prairie dragons have those tiny legs which allow them to swim through the grass like a snake.
   It's just one more of those things you hardly ever see anymore not that they ever were all that easy to spot. As big as they were they could still glide among the weeds and bushes without hardly making a sound until they're sliding right past you. You just look down by your feet and there he is. Man I tell you I like to have jumped clean out of my skin! Then he turns his head and gives me a slight nod as if to say "Yeah I could've eaten you anytime I wanted to, but not today." And he slides away in a whisper of dry grass.
   Try to follow him and he's nowhere to be seen.
I tried once. Just as he slithered around a clump of bushes I ran to see where he'd gone and there was nothing. So I turned back the way I'd come and there he was hanging from a tree branch nose to nose with me. His mouth opened and he gave a hiss that startled me backwards ass over elbows. And I swore right there to stay out of his business from then on if he let me go.
   Some folks say I've got a fanciful imagination. "Gil" they say, "This all crazy talk! Dragons are just reptiles, they got no intelligence to make bargains with little boys."
   But you can say what you like, I know what I saw.

Friday, March 31, 2017

7th Sea, Pirate Roleplaying Game Illustrations 2

I did this front-piece for the book after seeing a similar thing by N.C. Wyeth for Robinson Crusoe.
Nobody illustrated pirate stories better than N.C. Wyeth so I looked at a lot of his work before starting on this project.
Here's the N.C. Wyeth piece that inspired my piece.  There will be someone telling me that I copied but I have no such misgivings.  I suppose it depends on what aspect of the image you're focused on.  It's a different ship, different water, different ribbon, different font, different colors, but if  'ship-and-ribbon' make up the totality of original design then one could still say it's a copy from a certain point of view.

If I seem defensive it's for good reason.  The business of fantasy illustration is filled with copiers and ten times as many accusers and a hundred times as many people who can't tell the difference and just go along with what the last guy said.  This can put a good many of us on the defensive in any case and then I go and do a project like this which skirts the line a little closer than usual as I'll show you over the next few days.
Like I said in my video I was very pressed for time and not feeling well at all.  Because of this I decided to let some of my artistic heroes give me a leg up for once.
 I've spent thousands of dollars over the years on fantasy art books, art instruction books and art reference photography books.  Some of those books are my prize possessions, many were a waste of money.  None of them could be said to have paid for themselves until now.
Now all these things are going to earn their keep and help me out a little in ways like this.

Thursday, March 30, 2017

7th Sea, Pirate Roleplaying Game Illustrations

Something I did some work on recently was illustrations for a fantasy role-playing game called Mongoni Island a 7th Sea Adventure.  7th Sea is a pirate themed game.
For the next couple weeks I'll be sharing art from the book along with some insights into my methods and inspirations.  I hope you will enjoy it.

This was the painting used for the front cover.  a similar drawing was also used for an interior illustration.

Here is a little video I made for my Patreon page that explains what I was doing and how I came to be involved.  One really cool thing about the video is that you get to see me almost faint towards the end.  Actually you probably couldn't tell but there's a long pause in my speech and I look a little confused and repeat myself.  I'd been really sick and never knew how physically demanding it is to make a video.


If you'd like to support my Patreon page for a mere dollar (and who wouldn't?) you can do so here:

Gilead's Patreon Site

You will have access to many more videos and to art that no one other than my patrons can see, plus sneak peeks at projects such as this one before the rest of the public can see them.

You could also buy this painting and many others for half price.
This Painting is Oil on board 20" X 24" $200. to the public $100. to my Patreon supporters.  Plus shipping.

Here's a link to the book.  It's digital only for the moment.  Plans for a hard copy are in the works.

The Book

Wednesday, March 29, 2017

The Door Behind the Bookcase

I couldn't tell you why it was our job to clean out the house when Mrs. Swenson died. She wasn't a friendly neighbor and had never invited any of us inside in all the years we'd lived next door. She was just a mean, pale, old shut-in who lived with her elderly mother. "It can be so ...draining caring for someone like that" people said. Whatever that meant.

I don't recall when the elder Mrs. Swenson died but I guessed she must have done. We'd never actually seen her.

The relatives had come and gone, grabbing whatever they wanted to keep and dashing off like they couldn't put the place behind 'em fast enough.

When I say WE had to clean the place up what that really meant was ME. My dad had a job, my mom was always busy, my brother and sister were older and had important things to do, so stuff like that always fell to me. I aint complainin' honestly just sayin' why it was I happened to be all alone in some stranger's house when happened.

Someone had given us a key and asked us to get rid of whatever remained in the house so it could be put on the market. Like I say I don't know why that was our business other than it being something no one else wanted to do. They'd said "Help yerself to anything you want" maybe that was our payment. Well I didn't want anything but to put the job behind me. The place smelled like old lady and it gave me the creeps. So I carried several truckloads of old furniture to the thrift store. (It was probably worth a fortune if I'd known)

And then I found it.
There was a door at the back of the house hidden behind a massive, heavy bookcase. It took some investigation to determine that indeed there was space for a small room at the back of the building with no entry or exit aside from this one sealed up door.
Who does such a thing?
Why exactly was it that the relatives didn't want this job? I had a sudden suspicion that the answer was on the other side of this door and I wasn't sure I wanted to know.
There was a tightness in my chest and I could feel my heart beating rapidly. It was the thrill of mystery and possibility combined with the dreadful suggestion of danger. There could be treasure! There could be corpses. There could be dark secrets or maybe nothing at all.
I dragged the heavy bookcase away from the wall. The deep impression in the carpet said it hadn't been moved in years.

The key in the lock turned reluctantly then snapped with heart stopping suddenness and the door creaked open to reveal ... a room... just an old lady's room, with lacy curtains and porcelain nick-naks.
... and the elder Mrs. Swenson rocking gently in her chair and smiling at me.
"Come in dear?" she said, "I haven't eaten in such a long time."

Tuesday, March 28, 2017

Skinny Dipping

This was kind of a funny model who worked for us quite a lot for a while.  Your first impression of her is that she's twelve years old and you don't want to see her naked.  then you find out she's in her mid twenties, but you still don't want to see her because she still looks twelve.  Then when she's undressed she actually looks a little older, but not a lot.
 Your next impression is "For cripes sake woman will you please sit still?!"  She shakes and drifts all around.  But once you do get a drawing done it actually looks kind of nice and you think maybe she's OK after all.
In this sketch you can barely see that she was holding a broomstick, but not really using it to any advantage.  In fact she's trying to balance on her right foot and the stick is throwing her off so she wavered all over the place and it was extremely annoying.  Points for trying a challenging pose, but it's no good if you can't hold still.

Then I decided to use the unbalanced posture to my advantage.  I got rid of the stick and put her arms out to her sides like she was trying to hold her balance.  I wondered where to put her that this would make sense.  She could be walking along the top of a wall or a big tree branch, but I liked the idea of a slippery stream where she's going skinny dipping.

Wednesday, March 22, 2017

Barbarian King

There's probably a distinction between arrogance and honest self certainty but I'm not always sure that I can tell what it is.  Some people are inordinately full of themselves and some people are just plain superior to the rest of us for real.  I'm fairly sure Conan the Barbarian would be called arrogant by some people and would be confused by the accusation.  He wasn't arrogant he was superior.
As Americans we often confuse the right to be treated equally with the idea that nobody's any better than us in any way.  But that's a little like saying to a tall guy "Don't go walking in here acting all tall!"  The dude's either tall or he's not.
 Now be you Conan or a professional athlete, politician, or intellectual, if you're abusive you're going down.  There's 350 million of us, nobody's that superior.

Here was a throne-like chair and a thoroughly capable looking and thoroughly arrogant looking dude sitting on it.  So I decided he must be a king.  A barbarian king.

If he's a king then the chair wasn't quite throne-like enough so I added embellishments.  This is what I love about charcoal, it's forgiving enough to allow changes like this on the same sheet of paper.  Now his face looks less cocky and more glowering like King Conan or some other heroic fantasy figure.
While the first figure was nude the second one is at least borderline pornographic due to the paraphernalia.   Nonetheless I kind of wish I'd left it that way, it made him seem even more disdainful.

I can't decide if the helmet was a good choice or a bad one.  It's a cool helmet and I like the slight jaunty tilt to it, but I feel it takes it back in a less serious direction somehow.
What do you think?

Friday, March 17, 2017

Barbarian Queen 5

Here at last is the final painting and the client loved it so I'm happy.
But every time I look at it I see things I'd like to do a little better.  It's possible I'll always feel that way about all of my work, but some paintings kind of beg me to come back and do it over while some do not.  This one calls me back so one of these days we'll re-visit this story.
I do love the blue color.
I love the indistinct background that leaves the viewer filling in the missing information.
I don't love the lizard anymore although I did at the time.
And although the model really does have shoulders just like those portrayed here, I'd like to dial that down a little.  Paintings are visual and if something looks wrong visually it's wrong no matter how accurate it really is.

Thursday, March 16, 2017

Barbarian Queen 4

The board was bigger than the paper so it was not until the drawing was transferred that I could start filling in the remainder of the background.  Not that it has or needs to have a lot of detail.  I wanted vertical lines behind her to suggest a tall space and horizontal lines out front of her to suggest a level surface for her feet to rest upon.
I meant for the two vertical shapes to be pillars, but they could be anything; a doorway, a window, curtains or banners.  I was waffling on what to put in the area to her right.  In one earlier sketch you can see that there was another animal briefly.  I asked a friend of mine what I should put there; a burly barbarian guard, a demon, dragon?  She said "a planter with palm branches."
"A Planter?!!!  With Palm Branches?!!!"  So I tried it and she was absolutely right it's perfect.

I then glazed over the whole thing with a thin wash of blue acrylic paint.  Once that was dry I achieved many of the white highlights by scraping it with a razor blade.  This gave a nice rough effect for the stone especially.
I did this intending to work over the entire piece in warmer tones of oil paint keeping the blue under-painting for all of the shadow areas.  But someone saw the painting and wanted to buy it just like it was.  I said "no, it isn't finished."  They pulled hundred dollar bills from their pocket so I said "OK" because that's just the kind of artistic integrity I'm known for.
I did however insist that they let me do a little painting on the figure before I sent it off to them because up close it really was a little rough.

Wednesday, March 15, 2017

Barbarian Queen 3

Now that I like all the elements of the draw and their placement I can rub charcoal on the back of the paper and transfer it to a board for painting on.  This board was fairly smooth and had a couple coats of Kilz primer on it which is as flat a finish as paper.  As always the board is recycled wood.  If you are careful you can do a very nice charcoal drawing on a board prepared this way, but you can't do any erasing.  However mistakes can be painted out with more primer if need be.  Then I spray the board with workable fixative and she's ready to paint.

Tuesday, March 14, 2017

Pear Shapes 2

So lets talk for a moment about what is my favorite subject and almost certainly yours as well: Pear Shapes.  Pear shapes which are basically two circles or ovals mashed together are the foundation of many objects in the world.  Make yourself comfortable drawing and shading this basic shape and you are most of the way towards being able to draw pretty much everything.
The next two images illustrate this point overtly.  The rest of the images illustrate it more subtly. 

I always carry a little sketchbook everywhere I go so that I can doodle any time I'm bored.  But I only get bored if I'm not doodling.  Even if my head is entirely empty and I have no impulse to draw any particular thing I'll often begin with a pear shape.   Pretty soon something else will suggest itself to me and arms and legs and heads will appear. 

Note that as you move towards greater realism this in no way ceases to be true.  On the contrary we find hints of repeating pear shapes in the masses of the arms and legs, tail neck and head.

The centaurs cat body began with a pear shape defining his belly and rib-cage.  The humanoid part is an inverted pear defining his chest and abdomen.

This portrait of myself as Santa Clause began as a pear.  The nose did too.

They don't have to be pretty.

Monday, March 13, 2017

Pear shapes 1

After I've traced the image onto a new paper I tape that up in the window and place yet another clean sheet on top of that.  On this one I only need to roughly trace the girl's but and leg and the shape of the throne.   This gives me a space to design a pet for her.  I know how big I can make him and how to wrap him around the edge of the chair and the girl's leg without covering her up or otherwise conflicting with the image.

I start, as I usually do, with pear shapes.

Drawing with a soft vine charcoal I can scribble out some details, wipe them off and re-scribble until I like what I have.

Once I've got something I like I can place this sketch back in the window and hang my new tracing of the girl in front and trace the monster onto the drawing with her.

And Bob's yer Uncle!

Tuesday, March 7, 2017

Barbarian Queen 2

Later while working on the drawing at home I made some improvements on the cat, but I still really didn't like it, possibly I'd drawn too many cats around that time and just wanted to mix things up a little.  Also I thought her posture was a little stiff.

 Placing the drawing in the window for a light-box, I'm able to tape a clean paper in front of it and trace the image.  Doing this allows me to shift and rotate the paper around as I see fit and thus altering the posture of the legs etc.  Here I've tilted her to the left so that when I trace her right leg it will angle up a little more than it did in the original sketch.

With the two sketches side by side you can compare the positions of the legs.  Her right leg angles up a little and her left lower leg angles back a little.  It's subtle  but the new one is more dynamic.  It has just that touch of energy and drama that the previous flat footed stance was missing.  This is another instinct acquired from sign painting.  Horizontal and vertical lines are stable and have a quiet dignity.  Diagonal lines feel unstable.  They have a sense of urgency and tension making you feel that something is about to happen.  Neither is right or wrong inherently it just depends on the feeling you're hoping to convey.

Barbarian Queen 1

As you know Gilbert Arizona lies at what was once the westernmost fringe of the Roman empire.  Romans and Celts clashed with Picts from the north and Apaches from the west. Centaurs ravaged the land from central Arizona to the Sea of Texas where the Mississippi river now flows. Goblin hoards poured from the mountains.  Eventually the Romans were driven back to the British Isles, leaving the indigenous people to fend for themselves.
But Gilbert was an ancient place long before that time.  The land is sprinkled with ancient burial mounds known as "fairy mounds" to the locals and said to be gateways to another world.  In fact one such mound was leveled to make room for the very house we're living in now.  Personally I never listen to such childish nonsense as fairy mounds and gateways to magical realms, but I do pack up my drawing kit and go visit those realms as frequently as possible.

On one such visit I had the pleasure of drawing this young lady here.  Now I'll be the first to admit that I'm indulging in a little flight of fantasy here, she really didn't have a cat with her, I just thought she should have one so I drew it in.

Wednesday, February 15, 2017

The First Step in Illustration

I don't often take on illustration projects anymore, but I'm working on one right now.  There isn't really a nondisclosure agreement on it, but I've decided mostly to only share the process on my Patreon page.  So if you'd like to see what that's all about go here: and contribute a dollar.  Then, if you want to, you could withdraw your pledge after a month once you've seen all you want to see.  I won't resent you if you do that, and while you are there you even qualify to get 50% off on some of my artwork that is available for sale.  So for a $1.00 contribution you could buy a $500.00 painting for $250.00 and then bail out.  I promise I won't resent that either.

The project is a role playing game about pirates on an island ruled by semi intelligent apes.
Here's a little video I made for my patrons.